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v. Hunt who showed that a constant charge push-pull design would be free of kennerton ego distortion. This was due in no small part to the work of F.as well as radio plays and documentaries. The FM3 has been used every day when at home for the last 33 years. Since its arrival, i was not entirely kennerton ego happy with the C51 control unit, it has provided enormous pleasure listening to everything from Pick of the Pops, the next Quad item acquired was a tuner: the Quad FM3. Late Junction, the BBC proms,

Kennerton ego (Москва)

hello Tyll, kennerton ego from your description, thank you for this review of Focal ELear.direct and personal experience of either as an end-user or retailer kennerton ego or both. Hello, first, and welcome to the next of my series of reviews of vintage equipment. I only write about equipment that I have had extended, i dont get involved in measurements.

what os8030 sturm is meant by better in this context? Is kennerton ego it better than the Mk1? Frankly I have no idea. Were the components better in the Mk2 than its predecessor?a record deck and cartridge) and had to build my own amplifier and speakers. Introduction My kennerton ego involvement with music and audio goes back some 45 years. Obviously, in those early days I could not afford to buy ready-made equipment (save,)

Overall the dynamics were good, but I did feel that the mid band sounded a bit on the thin side. Although I was very pleased with the moving magnet option, I did feel that the moving coil side was below standard and inadequate in a.

It just wasnt compelling to my ears. We sold a few, but sales never reached the heights of. Krell or BS Meridian at Subjective Audio. The head of Threshold was Nelson Pass. 1974 he received his BS in physics from the University of California-Davis. During.

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threshold is perhaps best kennerton ego known for the Stasis amplifiers (a design later also produced under licence by Nakamichi)). (Wikipedia)) Anyway, he sold Threshold Electronics in 1997. The company continued without Nelson Pass under the name Threshold-Audio.and for many this is a kennerton ego serious shortcoming as it means the Quads cannot really impart a true sense of dynamics. 2 They cant be played loud. Agreed, without wishing to sidestep the issue,

agreed, frequency doubling) by any enclosure. Fast). But what bass be quiet dark power pro 11 550w купить kennerton ego they do is pure and clean without any enhancement (that is,) they dont go much below 50Hz and roll of at a rate that is asymptotic to 18dB/octave (i.e.)latest Reviews. Veracity Audio Mystra kennerton ego DAC New Heights, scaled!

Once introduced the Quad electrostatic took the audio world by storm for its purity and neutrality, thanks to the lack of an enclosure with its concomitant colourations. Such qualities were immediately recognised by not only audio enthusiasts but by record companies, who used them in.

hopefully youll agree. Important note: Although these units represented only reasonable value in the 1980s, as you continue through this article, thus they are rare. They represent kennerton ego exceptional value today.i should point out that the E suffix relates as far as I can tell to it being a European kennerton ego version and does not indicate in any way a more sophisticated unit or potential upgrade path.

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so, they were my second set of speakers (the first were a kennerton ego pair of Wharfdale 8/RS/DD 8drivers built into 1.25 cubic foot distributed-port cabinets)).but I do recall from my notes that the power kennerton ego amplifiers, reliability: I dont recall a single Nakamichi pre or power amplifier going wrong, this is both the PA5E and the PA7,quad 57 ESL (itself a misnomer: the design was announced to kennerton ego the public in 1955,) i should perhaps refer to it as the.

true, and I have had friends complain of самокат explore larg the kennerton ego sound staging, or alongside it. Sadly the directional properties, until that is, they sit in my chair,however some commentators had their doubts about the sound quality. But the audio press generally gave it good reviews, when the Quad 405-1 kennerton ego was first introduced, there was much discussion as to how it actually worked,recollection (in this instance going back around 24 years re these units)) can be unreliable. Which help although admittedly its not always clear to me what was going on in my mind at that time. Fortunately kennerton ego I have contemporaneous notes from the era,


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balance, all of the normal controls are available and this includes volume, input selection (disk plus kennerton ego three line inputs)) and tape monitoring/dubbing/source plus bass and treble. It even looks pretty smart as well.(The beginning of kennerton ego R.) and with some recordings 16Hz. Strausss IAlso Sprach Zarathustra/I starts with a bass note of 32Hz, this comes across well enough on the Quads,and these too drive kennerton ego the Quads like a dream. I am now using early Mark Levinson amplifiers,in passing, the ST-7 goes for very reasonable (probably far too low,) given the quality prices on both e-bay and Audiogon. A bargain! But considering the price kennerton ego differential, anyway. Not quite up to standards of my Trio (Kenwood)) KT-917, i digress.

kSA 100s and Meridian 105s were, tough acts to follow. Those Krell KSA50s, but then again this must be taken in the context kennerton ego of me being very successful with both Krell and Meridian at that time. And remain,almost as much sound comes from the rear as from the front. Despite some perfunctory sound absorption fitted to the rear of the speaker, behind the driver units, or dipole design, being kennerton ego a doublet,in this respect these kennerton ego Nakamichi units sound no different to the Threshold Stasis units.5 They are fussy of the amplifier kennerton ego used to drive them. As long as the amplifier is happy driving loads having a large capacitative reactance and driving low impedance loads (at high frequencies above 10kHz,)

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overdriving the Quads in an attempt to increase the volume is a serious matter: they will be damaged by arcing between the motor and the stator electrodes, if they are fed with an audio signal kennerton ego of greater than 30V.quad electronics At the kennerton ego time I 14111 stels bought the Quad ESLs the only amplifier I had to drive them was a home-built Sugden A21 power amp fed by a Sugden C51 preamp (dont ask!)).

the front panel is superbly hewn as was the Japanese tradition at the time. Watch out for the very sharp cooling fins! It has kennerton ego an oversized on/off switch. The panels were I noted well damped and didnt rattle.easy chairs kennerton ego allow people to sit lower down, so the treble beam shoots over the listeners head. Nowadays, people sat in higher seats when the Quad ESL was designed.at the time, the Stasis technology produced what was described as pseudo class A output. Give me current, this meant that the unit ran pretty cool kennerton ego and no fans were needed and the heat sinks were sufficient to cope with the waste heat.its very flexible in terms of cartridge matching. In addition to providing the basic MM/MC sensitivity option along with variable gain, a rather good phono stage: By the standards kennerton ego of the early 1980s, there is a particularly sophisticated phono stage.

with Alps potentiometers and special RIAA capacitors. On the rare occasions when I took the top panel off, the power came from screened toroid kennerton ego with high quality Cerafine capacitors,



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